ABOUT
We are excited to announce another edition of the festival, HOSPIZ_24! Save the dates of 31st of may and 1st of june, and join for this occasion to immerse yourself in the unique atmosphere of a meticulously curated program by the HOSPIZ crew. Renowned DJs and artists from the region and around the world take to the decks, delivering electrifying sounds that reverberate through the ancient walls of the monastery. This year, we have taken a more artistic direction in the program, as there will be several experimental performances and installations, that mean to expand the horizons of HOSPIZ Festival. With HOSPIZ_24, we aim to direct HOSPIZ into a new path of artistic experimentation and celebration of electronic music, while cherishing the connection to the region.
The setting of the festival is not an accidental one. HOSPIZ Festival in its principles intends to merge the past and the future, the ancient and the digital. The monastery represents the character and the history of the region of South Tyrol, whereas music and visual art bring forth the artistry and creativity of the present. Through this duality, HOSPIZ Festival offers their guests an immersive experience, where they can dive into the intersection of history and innovation, tradition and modernity. In recent years, HOSPIZ Festival has become one of the most relevant electronic music events in the region, as it has been curating local artists, while featuring international artists.
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MUSIC
ANGEL ANGER (dream noize, conjured rhythms)
Angel Anger is a noise-driven, dilated dream made of celestial voices, sleepy gabber, bitcrusher and Eastern European chants.
Angel Anger is Adriana Ghimp, a Moldovan-born mutidisciplinary artist whose practice extends across different forms of expression focusing on human connections, perception, the relationship between matter and emotions. She is part of Trigger Collective, an informal, punk-inspired collective that explores sound with a preference for marginal means, targets and approaches.
Walter Garber aka DJ Veloziped from Merano, South Tyrol (IT) has been active since the 90s. He is considered to be one of the techno pioneers in South Tyrol and still plays vinyl mainly electronic music. Countless of his DJ mixes can be found on Mixcloud and Soundcloud, many of them tribute mixes for special artists or labels. Veloziped mainly plays in South Tyrol or Innsbruck in the Tante
Emma Club, but guest appearances have also taken him to Düsseldorf to the Salon des Amateurs or the Grelle Forelle in Vienna. In 2023 he played with DJ Hell on his tour of Italy in Verona and Bologna. Most recently, he was booked for the club Kegelbahn in Lucerne and the Venice Biennale. For the He regularly creates DJ mixes for the Austrian cult station FM4. In the exhibition HOPE at the Museum of Modern Art MUSEION in Bolzano, he showed 101 rare records by Underground Resistance and other Detroit techno labels.
KOMPRIPIOTR @ Hospiz 2024: Action ‘The Electromagnetic Power-
Catalyst’. Electromagnetic fields mutate into unpredictable noise clusters.
Manuel Zwerger studied Composition with Franz Baur, Simon Steen-Andersen, Niels Rønsholdt and Juliana Hodkinson at the Conservatory of Innsbruck and at the Royal Academy of Music, Aarhus. He received further education from Hannes Kerschbaumer and Wolfram Schurig. In 2019 he was a member of the International Young Composers Academy (Festival Ticino Musica) with Oscar Bianchi and Dmitri Kurljandski in Lugano.
Manuel Zwerger moves as a composer at the intersection of new music, performance and installation art, whereby visual and extra-musical material is not subordinated to the sound quality, but made it inherent.
The thematic focus lies on the usual phenomena in the process of making music, which are connected and questioned with influences from everyday life, pop culture, anti-art, current trends and science. He works particularly with prepared instruments and new media. His works are published by Edition Gravis / Berlin.
PROJECT FOR HOSPIZ_24
The piece GAP MELOMANIA for audio playback, baritone saxophone, tuba, drumset and DJ, created especially for Hospiz_24, is an attempt to artistically explore the gap between an opening speech and a DJ set.
Through the mechanised movements and precisely placed accents, the process of uncovering the parameters increasingly gains the impression of a skeletal rhythmisation of all dimensions – the sonic and the physical. The processual character is central to this: similar to morphing, flowing sound transitions are created. (Sound) cells continue to develop and are subject to organic changes. The music is expanded in the sense of an extension of the instruments through new playing techniques and preparations, as well as the inclusion of various media and materials that are collaged, quoted and recontextualised. In the musical development of the piece, the various media elements gradually come together and intertwine, only to finally disintegrate again. Stylistic conventions are played with, demonstrated and transformed. Genre and language boundaries are scrutinised.
Hailing from Hamburg, Germany, OFF / GRID is an up and rising techno producer, influenced by classic detroit techno, dub techno and hardgroove with a profound appreciation for music spanning from jazz to jungle. In 2022 he debuted with his non-label EP “Time To Shine” on Bandcamp, swiftly grabbing the industry’s attention. Since then OFF / GRID is expanding his footprint in the scene with releasing his own ever-evolving interpretations of techno.
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VISUAL ARTS & PERFORMANCE
Dora Musola works in the fields of performance art, installation art, Sculpture, Costume Design and Events organisation. A current theme of their work involves reimagining physical environments to provoke novel perceptions and experiences. Through a language of transformation, they strive to render spaces as imaginative, surreal, and occasionally dystopian realms. Their artistic pursuit entails an exploration of spatial dynamics and bodily engagement, aiming to reimagine the relationship
between individuals and their environments.
Gaia Ginevra Giorgi (Venice), is sound-artist and researcher active in the field of performing arts. His practice integrates writing, sound, voice and performative devices. His interventions produce ephemeral habitats, spaces of embodied and radical imagination. He curates the radio program Walk so silently that the Bottoms of your feet becomes ears (Fango Radio), and is resident artist at Radio Raheem. Author, dramaturg and performer of various theatrical and performative projects, she has presented her works in institutions and festivals such as Santarcangelo Festival (Santarcangelo), Swiss Institute (Milan), BASE Milano (Milan), TBA21- Academy (Venice), Centrale Fies (Dro), Short Theatre (Rome), Schlachthaus Theater (Bern), Espacio Fundación Telefónica (Madrid), Schirn Kunsthalle Frankfurt (Frankfurt), Barcelona Poesia (Barcelona), Fondazione Antonio Ratti (Como), Supernova (Rimini). Supported by INDEX, it has been selected among the 2024 emerging artists by Exibart.
PROJECT FOR HOSPIZ_24
For Hospiz, she will propose a live-set based on the sound materials that make up the performance Haunted (2024). A fantastical archive, consisting of field-recordings, recordings of letters, recordings of dreams, voices, radio frequencies distorted, interference and sound fragments, pours into samplers, tapes, antennas that capture the electromagnetic spectrum and ultrasonic detectors. An active listening session, between sound ecology and hauntological music, between archaeology and imagination.
handmitauge:
Jakob Hütter, Jakob Figo, Martin Winterleitner, Jakob Schauer, Paul Janisch, Thomas Planitzer, Anton Kvitchuk und Hanna Besenhard
form and content, analog and digital – interaction of apparent opposites. all divisions between the whores of babylon and machinery of art are subject of the concept of free and consequent development. Hand mit Auge operates and lives for to visualization of ideas and emotions and to tell stories.
Sophie Lazari earned a BFA in illustration and graphics from the Berlin University of the Arts. She also works as a tattoo artist, painter, graphic designer, performance artist, and curator and coordinator of several online and offline projects.
Her multidisciplinary practice includes printmaking, drawing, painting, illustration, tattooing, and performance. Her works call for safe and accessible spaces of expression beyond discrimination, gender binaries, and patriarchal social norms. By combining queer narratives, striking abstract aesthetics, and playful, humorous figuration, the artist often examines current social issues through historical perspectives.
Performance: #noflilters
How does the beauty industry and the rising trends that influencers and celebrities promote on social media shape our perception of the perfect body? Where does beauty become toxic and unhealthy? By being exposed to variety of treatments for skincare and bodymodifications like permanent make-up and botox as well as extreme fitness pro-gramms for „healthy and toned bodies“ we distort the image of natural beauty into a „copy-paste- perfect-looking-doll-like“ image of our (female) bodies and faces. This aim for perfection not only puts pressure into aging and preservation of beauty standards but can cause addictions to the extend that the individuum doesn‘t feel good without cer- tain treatments. It is a domino effect that causes young girls to not feel good in their own skin, in order to change their outlook by seeing how easy and fast celebrities or even friends start at a very young age with treatments, diets, beautymodifications and core workouts to fit into the mainstream standard of beauty. A good example of a tippingpoint in beautystandars is when the diet and fitness programm to preserve a toned body becomes an addiction, from burning calories to counting them to the extend of anorexia or other addictions like substance abuse.
Born and raised in Catania, now based in Bozen.
I am 24 years old and I am studying art here in Bozen, South Tyrol.
My works are primarily focused on environmental issues through the format of installations and/or sculptures. I also like to work with video and audio but these mediums are preferably linked to more introspective and social themes of my practice.